Spoiler : Super hot babe I wish I was around back then life was so much more respectful and pleasant and yes there were hard times but the air wasn't as polluted as today and woman were really beautiful

Spoiler : We Miss and Love You !

Spoiler : CLAIRE TREVOR (1910 ~ 2000) Trevor won the Best Supporting Actress Academy Award for "Key Largo" (1948) and received two other Oscar nominations as Best Supporting Actress for "Dead End" (37) and "The High and the Mighty" (54). She is also well remembered for the western "Stagecoach" (39) and the film noirs "Murder, My Sweet" (44), "Johnny Angel" (45) and "Born to Kill" (47). Other films included: "Big Town Girl" (37), "One Mile From Heaven" (37), "The Amazing Dr. Clitterhouse" (38), "Allegheny Uprising" (39), "Dark Command" (40), "Crossroads" (42), "The Woman of the Town" (43), "The Desperadoes" (43), "Crack-Up" (46), "The Babe Ruth Story" (48), "Hard, Fast and Beautiful" (51) and "The Stripper" (63). Claire passed in 2000 at age 90.

Spoiler : A wonderfully versatile actress. She was amazing in Key Largo. (Among other roles.)

Spoiler : Trevor gained her first significant industry attention via an Oscar-nominated performance in "Dead End" (1937). However, it was John Ford's superb Western "Stagecoach" (1939) that really put Trevor on the map.

Spoiler : Stagecoach was regularly cited as the critical assignment for John Wayne that initiated his rapid ascension from poverty row cowboy to A-list star. However, it also made a star out of Trevor, who played Dallas, the proverbial hooker with a heart of gold, one of the passengers The Ringo Kid (Wayne) was charged with defending from marauding Indians. While it followed the well-worn clichés of the genre, "Stagecoach" was put together with considerable skill by Ford and impeccably cast.

Spoiler : With the career boost she received from "Dead End," Trevor was among the best paid performers on the film, earning $15,000 - five times what Wayne was paid. With the success of "Stagecoach," Trevor was quickly cast in further Westerns, including two more John Wayne vehicles, "Allegheny Uprising" (1939) and "Dark Command" (1940), by which time the pay disparity between the two performers had likely moved in the other direction.

Spoiler : Trevor enjoyed lead roles in several major productions during the years that followed. Her turns in the superior film noir thrillers "Murder, My Sweet" (1944), "Born to Kill" (1947), "Raw Deal" (1948), and "Key Largo" (1948) established Trevor as one of its premiere players and she excelled as both determined heroines and debased antagonists. "Key Largo" also brought Trevor her only Academy Award.