Spoiler : Awesome actor and so ridiculously handsome!

Spoiler : The most loveable onscreen cad. ♡

Spoiler : He was simply wonderful --as was his adorable daughter, Elizabeth....

Spoiler : My favorite! Love, love, love Robert

Spoiler : Very gorgeous.

Spoiler : He's a very good actor

Spoiler : loved him! Great actor and super sharp dresser!

Spoiler : So handsome. One of the great comic actor.

Spoiler : He was one of my faves!!! He was so funny but absolutely loved him in Night Must Fall. He was excellent!!

Spoiler : After the U.S. entered World War II in December 1941, he joined the United States Navy, rising to the rank of lieutenant commander, and served on the USS Barton (DD-722) which was part of the D-Day invasion on June 6, 1944.

Spoiler : He was one of my faves!!! He was so funny but absolutely loved him in Night Must Fall. He was excellent!!

Spoiler : Montgomery, Robert (Henry Montgomery, Jr.) Born in Beacon, New York 5/21/1904; died 9/27/1981 of cancer in New York City. Married to actress Elizabeth Allen (1928-1950); Elizabeth Harkness 1950-?). Father of deseased actress Elizabeth Montgomery. Montgomery began his career on stage in New York. Uncredited screen debut in College Day (1926). Signed a movie contract with MGM (1929-1947). Served in the U.S. Navy during WWII (1942-1945). Guest star on many radio programs including This Is War for all networks; The Doctor Fights for CBS (1945). Host of Suspense on CBS-Radio (1/3/1948-5/15/1948).

Spoiler : Host-executive producer of Robert Montgomery Presents on NBC-TV (1950-1957). Producer of Eye Witness on NBC-TV (1953); The Gallant Hours (1960). Emmy Award in 1953 for Robert Montgomery Presents.

Spoiler : He was in a movie with Carole Lombard (“Mr. and Mrs. Smith”), which was Alfred Hitchcock’s attempt to do a screwball comedy. It went about as well as you would expect a screwball comedy directed by Alfred Hitchcock to go.

Spoiler : Superbly creepy in Night Must Fall (one of the earliest American serial-killer films, and an obvious precursor to the likes of Blue Velvet), and vastly underrated as a director (his Lady in the Lake, shot entirely in first-person POV, is such an exercise in pure experimentation that the technique wouldn't be attempted again for decades).